Saturday, October 08, 2011

Listening to Whitney Houston On My Way Home This Evening


On my way home this evening, Whitney Houston's version of "I Will Always Love You" came on the radio and took me aback a bit as I listened to the clear, crisp, and magnificent voice that delivered each powerful note of the song. It was Whitney at her best. and it started me to thinking about Ms. Houston, her remarkable talent, and her gold-dusted career that has seen such highs and such lows as she could once reach with that magnificent range of hers. Undoubtedly, Whitney Houston is the best female vocalist of her generation. No one could even compete with her vocal range, her vocal mastery, And she still holds court as one of the best-selling female recording artists of all time.

When Whitney started out in the early eighties, following her brief, Afrocentric moment at her debut when on the

cover of the album she sported a fade, Clive Davis and the rest of her team worked hard to produce the Whitney magic and introduced her onto the pop scene as the quintessential Black Barbie doll. Oh, she wanted to dance with somebody.... and her outfit was replete with big hair and leggings that read very middle class and feminine. The consuming public LOVED it and in no time she had carved her niche inside the music industry and was accepted as a pop princess holding her own against the likes of Madonna and even finding herself on MTV, one of the few Black artists who did at the time. For more than a decade after that, Whitney was THE most prominent Black female singer in the world. Her superstar status was cemented in 1992 with The Bodyguard. The film, crafted personally for her out of a 1970s chucked vehicle for Diana Ross and Steve McQueen, cemented her reputation as a movie star, shelling in over $400 million dollars at the box office, making it one of the most successful films of the time. The soundtrack coinciding with the film, also called The Bodygaurd, debuted at number one on the Billboard Hot 100 setting a record at fourteen weeks in that position and went seventeen times platinum, landing it as the best selling soundtrack of all time.

There is something to be said about girls, and particularly about Black girls, from good, middle class homes who are always fixated with thugs/bad boys/ and generally unwholesome and unsavory figures. Although Whitney had been using drugs ever since the beginning of her career probably, her downfall started when she met and married Bobby Brown. I, for one, believe everything she told Oprah. She was totally committed to Bobby(good girl syndrome-trained well by her mama) and subsequently they spent a lot of days in bed snorting and shooting and watching TV. Although, though this explains her loss of control over her career( didn't mama at one point take over her finances with a court order ala Natalie Cole?) , by no means does this account for her loss of voice. I, for one, was quite befuddled over the entire brouhaha about Whitney's losing her voice. Everyone was speculating--drugs, Bobby, stress, etc, etc.. I think not. I think more it runs in the genes....It seemed no one remembered it wasnt that long ago people were yelling "Hey Dionne, sit down and shut up, please!" I wasn't surprised at all. Fortunately for Whitney, her legacy is already set....I just hope she can spare herself more embarrassing moments and that, if all she can find is the thug or the bad boy type, that she chooses to remain single for the rest of her .life.

Friday, October 07, 2011

My Faith Has Been Renewed: Michelle Obama, Our First Lady, Is a Wonderful Leader



In this month's issue of Ebony, First Lady Michelle Obama renewed my faith when she spoke with Kevin Chappell about the power of movements. She said, "nothing is ever built in a day. The only thing that happens in an instant is destruction...Build something...earthquake; it's gone. But everything else requires time....Don't let the struggle discourage you because it's hard. It's supposed to be hard." As an example, she spoke of Nelson Mandela, whom she just visited with in South Africa. "There must have been moments in that jail when he (Mandela) thought, ' This is never going to work,,' but if we see Mandela as hope, we would see the slowness not as a reason to stop and be impatient but to keep moving and not get so caught up in the immediacy." Bless you, Michelle Obama....

Thursday, October 06, 2011

Community Healing Days--Listen Up Black People





October 15-17 are Community Healing Days

We’re coming up on an annual celebration that not everyone is familiar with, but is tremendously important to the Black community.

It’s called Community Healing Days, a three day period on the third weekend of every October designed to focus Black people on eliminating the tired, but powerful, myth of black inferiority. The celebration is sponsored by the Community Healing Network and championed by Dr. Maya Angelou.

This year, on October 15, 16 and 17, Dr. Angelou is asking folks to wear something sky blue during Community Healing Days to show “our collective determination to turn the pain of the blues into the sky blue of unlimited possibilities.” That’s right, Sky-Blue, like the beautiful, limitless sky above, a reflection of the positive way we need to view ourselves.

But unfortunately –for many African Americans– how we view ourselves is a byproduct of how others view us. Case in point. In the compelling new book entitled Whistling Vivaldi by psychologist Claude Steele, he references a scenario involving an African American journalist and former grad student at the University of Chicago.

As a student walking down the street in his Hyde Park neighborhood each evening, he would see white folk either clutch their belongings or each other, stare straight ahead, or switch to the other side of the street. Noting that white people were “frightened to death of him,” the young man internalized this treatment and began taking side streets to avoid making his white neighbors fearful or uncomfortable.

Eventually he stopped doing this after he noticed that whenever he whistled as he walked–especially tunes by classical composers like Vivaldi—his white neighbors would treat him differently. Some would even smile at him.

Psychologists reason that whites figured that if this guy knows Vivaldi, he must be okay. The point here is that we sometimes begin to behave in a way that responds to stereotypes.

It speaks both to the sickness in our society and, more importantly, in this case, to the sickness in us. When we start pretending – acting in ways that play into what others think or expect of us, then the sickness is no longer their’s… it becomes ours.

Think about the stereotypes that suggest young black males are criminals, or can’t do well in math… how young black girls are merely video vixens, or can’t do well in science.

You see, when media and society peddle stereotypes –especially those inaccurately characterizing our impressionable youth and children—the damage is both serious and real not just because of the sick folks promoting them, but because of those growing sicker every day by receiving, emulating and perpetuating them.

That’s the thing about stereotypes. They start out as mostly false statements but gain steam if not challenged immediately, and ultimately gain credibility when perpetuated by its victims. The fact is that media and society have been peddling stereotypes about us for centuries.

In Whistling Vivaldi, Steele shows how stereotypes affect our perceptions of ourselves and influence how we act in certain situations, be they professional, academic or personal. As a people, we need to be intentional about overcoming the negative stereotypes about who we are and what we can do. Especially for our children — we need to positively affirm our self-worth, our accomplishments and our beauty to combat those stereotypes and ensure we are defining and viewing ourselves positively.

This is what Community Healing Days is all about. And that ain’t just Whistlin’ Vivaldi.

So let’s be sure to celebrate Community Healing Days – in our sky blue – on October 15th through 17th. You can get more info on this at communityhealingnet.org

Stephanie Robinson is President and CEO of The Jamestown Project, a national think tank focused on democracy. She is an author, a Lecturer on Law at the Harvard Law School and former Chief Counsel to the late Senator Edward M. Kennedy. Stephanie reaches 8 to 10 million listeners each week as political commentator for the popular radio venue, The Tom Joyner Morning Show. Visit her online at www.StephanieRobinsonSpeaks.com

Monday, October 03, 2011

Rick Perry's Niggerhead

Looking at the different components that come together to make up a person will always provide a key to that person's personality and perspective. The idea that Perry's white, privileged family would name their hunting lodge Niggerhead speaks to where they fit socially, politically, culturally. One has to ask did he not think this might cause problems for him if he chose to run for president as he did not even attempt to hide this knowledge--which either spells carelessness or a lack of concern on his part. What part of this man and his background do we want in the white house? Only those wishing for a clear return of white male capitalist patriarchy would even think that Perry, with his track record, would be suitable to lead such a huge, diverse nation such as this. Meanwhile, I wonder when was the last time a soiree was held at Niggerhead?

Saturday, October 01, 2011

My Life and My Direction

Ever since I was very young, my ambitious brain had two goals which were absolute amongst everything else. I would trailblaze Barbra Streisand's path, only in my own way, and be a famed and published writer by the time I was nineteen. I also was going to get my doctorate by the time I was thirty, because I wanted to be Angela Davis(as much as I could be). However, my reasonings for all of these things were quite something else. Oh the joys of a young Black boy wanting to emulate Barbra! Major differences...but still I bask in the light of Barbra. In terms of my doctorate, I will get it one day. As I have thought on it, at first my reasoning for wanting a doctorate was two fold: One, I like to learn, and on that point I will still attain a doctorate (sooner rather than later), but secondly, I was trying to compete with my ancestors, who were all educators, filigreed and degreed--wanting to best them one by doing something like I will not only get my doctorate but I can be Angela Davis too! Well, I have since figured that my ancestors have one up on me...they have the benefit of being dead and no longer here....I can take my time.... All of that said, I will be published very soon, and will start that merciless process of phd applications....but will do it in my own way and in my own time.....because I will not be rushed....

Monday, September 26, 2011

Open Letter to Angela Davis from James Baldwin: From One Powerful Icont to Another

A Y. Davis
by James Baldwin


Dear Sister:

One might have hoped that, by this hour, the very sight of chains on Black flesh, or the very sight of chains, would be so intolerable a sight for the American people, and so unbearable a memory, that they would themselves spontaneously rise up and strike off the manacles. But, no, they appear to glory in their chains; now, more than ever, they appear to measure their safety in chains and corpses. And so, Newsweek, civilized defender of the indefensible, attempts to drown you in a sea of crocodile tears ("it remained to be seen what sort of personal liberation she had achieved") and puts you on its cover, chained.
You look exceedingly alone—as alone, say, as the Jewish housewife in the boxcar headed for Dachau, or as any one of our ancestors, chained together in the name of Jesus, headed for a Christian land.
Well. Since we live in an age which silence is not only criminal but suicidal, I have been making as much noise as I can, here in Europe, on radio and television—in fact, have just returned from a land, Germany, which was made notorious by a silent majority not so very long ago. I was asked to speak on the case of Miss Angela Davis, and did so. Very probably an exerciser in futility, but one must let no opportunity slide.
I am something like twenty years older than you, of that generation, therefore, of which George Jackson ventures that "there are no healthy brothers—none at all." I am in no way equipped to dispute this speculation (not, anyway, without descending into what, at the moment, would be irrelevant subtleties) for I know too well what he means. My own state of health is certainly precarious enough. In considering you, and Huey, and George and (especially) Jonathan Jackson, I began to apprehend what you may have had in mind when you spoke of the uses to which we could put the experience of the slave. What has happened, it seems to me, and to put it far too simply, is that a whole new generation of people have assessed and absorbed their history, and, in that tremendous action, have freed themselves of it and will never be victims again. This may seem an odd, indefensibly pertinent and insensitive thing to say to a sister in prison, battling for her life—for all our lives. Yet, I dare to say it, for I think you will perhaps not misunderstand me, and I do not say it, after all, from the position of spectator.
I am trying to suggest that you—for example—do not appear to be your father's daughter in the same way that I am my father's son. At bottom, my father's expectations and mine were the same, the expectations of his generation and mine were the same; and neither the immense difference in our ages nor the move from the South to the North could alter these expectations or make our lives more viable. For, in fact, to use the brutal parlance of that hour, the interior language of despair, he was just a n-----—a n----- laborer preacher, and so was I. I jumped the track but that's of no more importance here, in itself, than the fact that some poor Spaniards become rich bull fighters, or that some poor Black boys become rich—boxers, for example. That's rarely, if ever, afforded the people more than a great emotional catharsis, though I don't mean to be condescending about that, either. But when Cassius Clay became Muhammad Ali and refused to put on that uniform (and sacrificed all that money!) a very different impact was made on the people and a very different kind of instruction had begun.

The American triumph—in which the American tragedy has always been implicit—was to make Black people despise themselves. When I was little I despised myself; I did not know any better. And this meant, albeit unconsciously, or against my will, or in great pain, that I also despised my father. And my mother. And my brothers. And my sisters. Black people were killing each other every Saturday night out on Lenox Avenue, when I was growing up; and no one explained to them, or to me, that it was intended that they should; that they were penned where they were, like animals, in order that they should consider themselves no better than animals. Everything supported this sense of reality, nothing denied it: and so one was ready, when it came time to go to work, to be treated as a slave. So one was ready, when human terrors came, to bow before a white God and beg Jesus for salvation—this same white God who was unable to raise a finger to do so little as to help you pay your rent, unable to be awakened in time to help you save your child!
There is always, of course, more to any picture than can speedily be perceived and in all of this—groaning and moaning, watching, calculating, clowning, surviving, and outwitting, some tremendous strength was nevertheless being forged, which is part of our legacy today. But that particular aspect of our journey now begins to be behind us. The secret is out: we are men!
But the blunt, open articulation of this secret has frightened the nation to death. i wish I could say, "to life," but that is much to demand of a disparate collection of displaced people still cowering in their wagon trains and singing "Onward Christian Soldiers." The nation, if America is a nation, is not in the least prepared for this day. It is a day which the Americans never expected to see, however piously they may declare their belief in progress and democracy. Those words, now, on American lips, have become a kind of universal obscenity: for this most unhappy people, strong believers in arithmetic, never expected to be confronted with the algebra of their history.
One way of gauging a nation's health, or of discerning what it really considers to be its interests—or to what extent it can be considered as a nation as distinguished from a coalition of special interests—is to examine those people it elects to represent or protect it. One glance at the American leaders (or figureheads) conveys that America is on the edge of absolute chaos, and also suggests the future to which American interests, if not the bulk of the American people, appear willing to consign the Blacks. (Indeed, one look at our past conveys that.) It is clear that for the bulk of our (nominal) countrymen, we are all expendable. And Messrs. Nixon, Agnew, Mitchell, and Hoover, to say nothing, of course, of the Kings' Row basket case, the winning Ronnie Reagan, will not hesitate for an instant to carry out what they insist is the will of the people.

But what, in America, is the will of the people? And who, for the above-named, are the people? The people, whoever they may be, know as much about the forces which have placed the above-named gentlemen in power as they do about the forces responsible for the slaughter in Vietnam. The will of the people, in America, has always been at the mercy of an ignorance not merely phenomenal, but sacred, and sacredly cultivated: the better to be used by a carnivorous economy which democratically slaughters and victimizes whites and Blacks alike. But most white Americans do not dare admit this (though they suspect it) and this fact contains mortal danger for the Blacks and tragedy for the nation.
Or, to put it another way, as long as white Americans take refuge in their whiteness—for so long as they are unable to walk out of this most monstrous of traps—they will allow millions of people to be slaughtered in their name, and will be manipulated into and surrender themselves to what they will think of—and justify—as a racial war. They will never, so long as their whiteness puts so sinister a distance between themselves and their own experience and the experience of others, feel themselves sufficiently human, sufficiently worthwhile, to become responsible for themselves, their leaders, their country, their children, or their fate. They will perish (as we once put it in our black church) in their sins —that is, in their delusions. And this is happening, needless to say, already, all around us.
Only a handful of the millions of people in this vast place are aware that the fate intended for you, Sister Angela, and for George Jackson, and for the numberless prisoners in our concentration camps—for that is what they are—is a fate which is about to engulf them, too, White lives, for the forces which rule in this country, are no more sacred than Black ones, as many and many a student is discovering, as the white American corpses in Vietnam prove. If the American people are unable to contend with their elected leaders for the redemption of their own honor and the loves of their own children, we the Blacks, the most rejected of the Western children, can expect very little help at their hands; which, after all, is nothing new. What the Americans do not realize is that a war between brothers, in the same cities, on the same soil is not a racial war but a civil war. But the American delusion is not only that their brothers all are white but that the whites are all their brothers.
So be it. We cannot awaken this sleeper, and God knows we have tried. We must do what we can do, and fortify and save each other—we are not drowning in an apathetic self-contempt, we do feel ourselves sufficiently worthwhile to contend even with the inexorable forces in order to change our fate and the fate of our children and the condition of the world! We know that a man is not a thing and is not to be placed at the mercy of things. We know that air and water belong to all mankind and not merely to industrialists. We know that a baby does not come into the world merely to be the instrument of someone else's profit. We know that a democracy does not mean the coercion of all into a deadly—and, finally, wicked— mediocrity but the liberty for all to aspire to the best that is in him, or that has ever been.
We know that we, the Blacks, and not only we, the blacks, have been, and are, the victims of a system whose only fuel is greed, whose only god is profit. We know that the fruits of this system have been ignorance, despair, and death, and we know that the system is doomed because the world can no longer afford it—if, indeed, it ever could have. And we know that, for the perpetuation of this system, we have all been mercilessly brutalized, and have been told nothing but lies, lies about ourselves and our kinsmen and our past, and about love, life, and death, so that both soul and body have been bound in hell.
The enormous revolution in black consciousness which has occurred in your generation, my dear sister, means the beginning or the end of America. Some of us, white and Black, know how great a price has already been paid to bring into existence a new consciousness, a new people, an unprecendented nation. If we know, and do nothing, we are worse than the murderers hired in our name.
If we know, then we must fight for your life as though it were our own—which it is—and render impassable with our bodies the corridor to the gas chamber. For, if they take you in the morning, they will be coming for us that night.
Therefore: peace.
Brother James
November 19, 1970







Thursday, September 22, 2011

Thoughts Running Through My Head...

"It is our duty to undermine systems of oppression"-to quote myself.....does this make me an anarchist?..I have never considered myself such...it is as natural for me as Corrie Ten Boom hiding Jews in the walls of her house....and her legacy has been a deep influence on me...Papa Ten Boom didn't think twice...because he knew what was right...and died on a hospital gurney outside of his bed...

Elizabeth Warren on America and Wealth

RIP Troy Anthony Davis....May your spirit live and be infectious....

Monday, September 19, 2011

Interview with Daniel Joseph Baker


Daniel Joseph Baker is clearly the most talented person to have graced the stage of this season's America's Got Talent. It came as a jilting shock to all of us who embraced this magnificent spectacle of talent and actually decided to tune in every week just to see him when he was eliminated. No matter. Daniel is a raw talent, possessing an animal magnetism that puts him in the tradition of Labelle, Grace Slick, and Lady Gaga. I recently got in touch with him via Facebook and asked him if I could interview him for my blog. Graciously, he agreed. This is what transpired.




1. How long have you been a singer and performer?


Since I was 6 years old at Church baptisms.

2. What made you try out for AGT?


I was very unhappy with the status of my life. I feel like it was worth continuing. I had a dream of performing on television, so that unhappiness drove me to audition for AGT on a whim.

3. What is your greatest aspiration?


To have a career in the entertainment industry.

4. Who are the major influences on your music?


Nicole Scherzinger, Lady Gaga, & Christina Aguilera. These are the only 3 people I look towards for ideas & inspirations for my next performances!

5. What is your background and where are you from?


I was raised in a mormon household & was born in Washington state.

6. Did you like the environment you grew up in? Did it nurture your creativity?


I loved my childhood. My parents never got mad at me for singing & banging on the piano during all hours of the night. They wanted me to continue perfecting my talents.

7. Have you been embraced by any gay celebrities? Which ones?


Raja from drag race tweeted me. That was my favorite!

8. How has fame been treating you?

I don't consider myself famous at all.

9. How would you describe your personal style? Where did the leg-on-the-piano thing come from?

My personal style: FIERCE. Foot on the piano: (any monster knows this) GAGA

10. How was your experience on AGT?


Best experience of my life so far. No negatives to list at all. It gave me so much confidence.

11. Where did you normally perform before AGT?

I performed in church and school growing up. But in recent years, only in my house.

12. Were you shocked when you were eliminated?


I was shocked at first. But I've always kept in mind that anything is possible. I want to thank my fans for supporting me through it.. Everything happens for a reason.

13. Of any artists past or present, who would you want to emulate in terms of your career?


I love Liberace & Elton John. I also love Cher & Nicole Scherzinger. I WANNA BE A PUSSYCAT DOLL!

14. Do you have anything in the works?

.I've been booking gigs & am moving to Hollywood! Danfans should look out for me!!

Thanks, Daniel!

Friday, August 26, 2011